POINT BREAK MOVIE HOW TO

If you knew that you knew nothing, then that would be something, but you don't.вЂќ - pollutes the air like empty shells unloaded from an endless magazine of sweaty vitriol. McGinley), whose barrage of breakneck dialogue вЂ“ вЂњYou know nothing. On screen is the BureauвЂ™s director, Ben Harp (John C.

When weвЂ™re first introduced to Utah вЂ“ after flexing the action genre with an opening shootout amidst targets at a rain soaked range вЂ“ itвЂ™s between the chaos of an office floor and the surfer like movements of BigelowвЂ™s camera, which glides in between the morning haze of Los Angeles that seems to have crept into the drab confines of the FBI headquarters.

POINT BREAK MOVIE HOW TO

PapasвЂ™ plan to finally catch the group of bank robbers is to recruit Utah into the tight-knit underworld of surfing, enlisting the help of BodhiвЂ™s ex-girlfriend Tyler (Lori Petty) in order to learn how to surf. The only one who believes him is fresh face ex-quarterback Johnny Utah (Keanu Reeves), whose bum knee after a Rose Bowl win put him out of commission and into law enforcement, though anyone would wonder whether heвЂ™s running off instinct or naivety. вЂњThey never get greedyвЂќ, states Agent Papas (Gary Busey), whose 22 year tenure with the FBI has pitted his theory about bank robbing surfers against every guffawing collar in the Bureau. вЂњItвЂ™s a state of mindвЂќ muses Bodhi, a virtue that cuts across his world of criminal underpinning, a thrill-a-minute high thatвЂ™s more of a game against the system than a necessity. Short for Bodhisattva, a Buddhist term for anyone who refrains from Enlightenment in order to guide others, Bodhi acts as the gangвЂ™s clandestine leader a deity among the surfers who taps into the spiritual side of the sea in order to feel a deeper connection. The charismatic and ruggedly disarming leader of the filmвЂ™s bank robbers вЂ“ surfers who don the synthetic masks of Ex-Presidents вЂ“ is Bodhi (Patrick Swayze), an unshorn guru to the waves whose own moniker is as duplicitous as it is righteous. Where action can easily be equated to brute strength, or at the very least, the power of whatвЂ™s pointed at the screen. A deeply resonant portrait of machismo put to extremes, tested between the action genre and the buddy cop film that superbly bends tropes that have been injected into the veins of anyone who grew up in the previous decade overdosing on testosterone. A powerful force to be reckoned with that, more than the caliber of any rifle, deserves to be respected, except itвЂ™s so much more. Opening atop the sun licked waves as a surfer paddles out, Point Break is undeniably a surf film, about the state of existing amongst the expanse of nature that at any moment can consume us. Point Break, cutting across the crest of its own bravado, is that rare exception a sand dusted snow globe of brotherhood, bullets and beaches, whose action is rooted in finding lifeвЂ™s waves of riding for as long as the summer sun suspends itself against the chase, one whose ultimately melancholic destination places Point Break as Kathryn BigelowвЂ™s best film. SheвЂ™s a relative newcomer вЂ“ with only two solo features under her belt, the criminally undervalued Blue Steel and the nocturnally romantic Near Dark вЂ“ who is more concerned with uncovering the harmony that lies in between the cracks of cinemaвЂ™s cache of heist films a genre that often fills space with aimless testosterone and hopped up shootouts.

While most directors would relish the barrel of a loaded gun, Bigelow seems to cherish the hands that hold it, encapsulating Point Break with as much self-discovery and longing as there is jocular surf slang. Alternative drugs that are mainlined in the form of a stoical meditation on existing against the system, caught on the tide of an action film where its greatest moments are captured not riding the wave, but feeling the motion of its waters.

But every wave has a breaking point, and right before it crashes against the rocks under the sweltering sun, thereвЂ™s nothing but adrenaline and euphoria. For a particular band of masked bank robbers in Kathryn BigelowвЂ™s sublimely gripping Point Break, this surf transcends the iridescent waves of the ocean to stacks of unmarked bills where under perfect conditions вЂ“ out in under 90 seconds and never risking the vault вЂ“ the banks of the greater Los Angeles area, the bank robbery capital of the world in the face of the FBI, can be ridden all summer long. For surfers, and only under perfect conditions, this creates a swell that can be ridden for an extensive period of time. Point break: the spot where a wave crashes as it hits an area of land protruding from the coastline.

Point break movie